Post by Ernst on Dec 16, 2011 9:54:53 GMT
Hi y'all!
The last few years, me and a handfull of our club instructors have been travelling a lot, finding inspiration from a lot of sources i.e amongst JKS (Kagawa, Yamaguchi, Scott Langley and others),WTKOs Richard Amos, Steve Ubl, as well as a few JKA courses.Iain Abernethy and his approach to kata and bunkai has also been very eye-opening for a few of us!This journey have been very inspiring and enlightning for all of us, and of course we are very eager to implement a lot of the information given to us, to our members.
My club was founded 40 years ago and turned to shotokan in the early eighties. The last ten years we have been independent of any Shotokan association and it has been a pleasure not having to be dictated by an "office" in Japan. To train with whoever we want, what a pleasure
However, our club statutes says that we shall teach according to the principles laid out in Nakayama senseis Best Karate series because of its credibility and world wide recognition as a Shotokan Textbook/Series. Nothing wrong with Best Karate, it's a nice reference to turn to, but is it very deep and analytical in its approach towards Shotokan? I see it more as a "What is Shotokan" kind of book, written for beginners and intermediate karateka, to spread the art worldwide. It was also made in the seventies/early eighties, so the world must have evolved since then..? Also, there has been a slightly turn into the WKF way of doing karate, which is ok for competition but..
As we speak, the technical committe in my club(where I'm involved) i trying to work out a long term goal/plan for us to follow in the future, to help us grow as shotokan practitioners. We feel that we should try to implement some of the "new" information given to us during our "quest", but it is not easy. There seems to be a kind of resistance towards bringing in anything that is not in Nakayama senseis writings. As we see it, pretty much all shotokan instructors I have mentioned are taking care of Nakayamas heritage, with their flavour added to it.
I guess my question is, how do we get a large club(250 members) with a lot of experienced and, kind of," narrow minded" instructors to agree with us? They are all excellent instructors, but in my opinion, not very updated when it comes to Shotokan as it is taught worldwide today. Also, it doesn't help with a club board that are not seasoned karate practitioners, but parents and intermediate karate students, with no real "background information" in these matters After all, it is the board that has to approve what we want to do, since we are a democratic club.
Anyone with similar experiences in their group/clubs? How do/did you do it?
PS! I might sound negative, but im really not. Just want my dear club to the best it can be, because I thin we have a great potential to be even better at what we do
The last few years, me and a handfull of our club instructors have been travelling a lot, finding inspiration from a lot of sources i.e amongst JKS (Kagawa, Yamaguchi, Scott Langley and others),WTKOs Richard Amos, Steve Ubl, as well as a few JKA courses.Iain Abernethy and his approach to kata and bunkai has also been very eye-opening for a few of us!This journey have been very inspiring and enlightning for all of us, and of course we are very eager to implement a lot of the information given to us, to our members.
My club was founded 40 years ago and turned to shotokan in the early eighties. The last ten years we have been independent of any Shotokan association and it has been a pleasure not having to be dictated by an "office" in Japan. To train with whoever we want, what a pleasure
However, our club statutes says that we shall teach according to the principles laid out in Nakayama senseis Best Karate series because of its credibility and world wide recognition as a Shotokan Textbook/Series. Nothing wrong with Best Karate, it's a nice reference to turn to, but is it very deep and analytical in its approach towards Shotokan? I see it more as a "What is Shotokan" kind of book, written for beginners and intermediate karateka, to spread the art worldwide. It was also made in the seventies/early eighties, so the world must have evolved since then..? Also, there has been a slightly turn into the WKF way of doing karate, which is ok for competition but..
As we speak, the technical committe in my club(where I'm involved) i trying to work out a long term goal/plan for us to follow in the future, to help us grow as shotokan practitioners. We feel that we should try to implement some of the "new" information given to us during our "quest", but it is not easy. There seems to be a kind of resistance towards bringing in anything that is not in Nakayama senseis writings. As we see it, pretty much all shotokan instructors I have mentioned are taking care of Nakayamas heritage, with their flavour added to it.
I guess my question is, how do we get a large club(250 members) with a lot of experienced and, kind of," narrow minded" instructors to agree with us? They are all excellent instructors, but in my opinion, not very updated when it comes to Shotokan as it is taught worldwide today. Also, it doesn't help with a club board that are not seasoned karate practitioners, but parents and intermediate karate students, with no real "background information" in these matters After all, it is the board that has to approve what we want to do, since we are a democratic club.
Anyone with similar experiences in their group/clubs? How do/did you do it?
PS! I might sound negative, but im really not. Just want my dear club to the best it can be, because I thin we have a great potential to be even better at what we do